Mohawk Interruptus - 02/20/2017
Audra Simpson’s Mohawk Interruptus deals primarily with settler colonialism from a
duality of positions, which regards both her involvement in the community and
the community itself, she employs a methodology which attempts to escape
classical essentialization and “orientalization” of indigenous narration. How
can we discuss native culture without the dangers of reifying them in
pre-constructed categories that are complacent with domination?
She focuses on the methodological stakes
and possible approaches to use when doing research about a familiar topic that
happens to be complicated, such as the politics involved in Mohawks as
subjects. So she analyzes it as a case of settler colonialism which for her is “defined
by a territorial project- the accumulation of land- whose seemingly singular
focus differentiates it from other forms of colonialism. (P.19)” Thus it is not
about forced expropriation of labor but rather of land, so “indigenous” people
must be eliminated in order for the project to be successful in the
settler-colonial model.
I appreciate how Simpson criticizes the commonly
used recognition issue as a “gentler form, perhaps, or the least corporeally
violent way of managing Indians and their difference, a multicultural solution…
(p.20).” I agree with her when she articulates that the “liberal argumentation”
passes through a form of toleration that is still within the settler-colonial
model and that political recognition is still a form of settler governance. So
her way of responding through this is very interesting, it’s through refusal,
she argues, or better, refusals. Refusal is a very interesting notion, I
believe, and a way to get outside of hegemonic narrative of domination that are
usually engendered by the same will to get outside of those. There is often a
subtle dialectic in sociological accounts, I argue, that makes it impossible
for marginalized people to get outside of a structure of domination. As Simpson
argues, political recognition is “in its simplest terms, to be seen by another
as one wants to be seen (p.23).”
I think that in a project of liberation the
idea of refusal to be seen is very important, it’s a complete refusal of the
status quo and not a coming to terms with structures of power, as unfortunately
often happens with many sociological and anthropological accounts.
My question would be how do we then move from
this active project to a new one? What about the settlers? Can we talk about a
new stage that is a completely new and radical rearrangement of the political
landscape? And if yes, what could this look like?
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