Cotera and Smith both navigate convergence
and difference among women of color theorizing and reveal the potential for
“shared epistemological orientation”(Cotera,10). Cotera implements a “comparitavist model” of
the literature and life experiences of Deloria, Hurston, and Gonzalez, three
women of color working and writing in the 1930s. Cotera highlights how they navigated the
intersections of academic worlds, their “native” homes, and the constraints of “appropriate”
ethnographic and literary representations. In her comparison, she challenges
the notion that one must always search for sameness. She calls for “divergent
thinking” to take into account difference, and that these authors, “pondered
questions of identity, history, and culture through the lens of their
particular (yet interconnected) experiences as gendered and racialized subjects
whose status, class, and cultural positioning constituted a unique epistemic
vantage point on the mechanics of social life”(9-10). These case studies historicize US third world
feminism and counter the erasure of the tradition of women of color
intellectuals. Cotera situates these author’s
texts in conversation with each other, but also in conversation with more
contemporary women of color feminist theorizing through the work of Collins,
Sandoval, Alarcon, and Mohanty, which links these intellectual contributions.
Smith’s piece on the three pillars
of white supremacy examines these complexities of coalition building among “women
of color,” with a focus on the implications for organizing and activism. She examines how white supremacy impacts
women of color in interrelated but distinct ways, operating through three
logics: “slavery/capitalism,” “genocide/colonialism,” and “orientalism/war.” Smith illustrates how logics of white
supremacy and heteropatriarchy can simultaneously benefit and oppress different
social groups, arguing for strategic alliances that recognize differences among
women of color to, “ensure that our model of liberation does not become the
model of oppression for others”(69). Smith’s
piece highlights the political and material implications of not adequately
attending to difference often subsumed under the umbrella of “women of color.”
Cotera’s comparative model and
attention to difference is useful because it allows for an examination of
shared oppression without obscuring the particular ways domination functions. These readings made me reflect back to the
policing in Chicago panel from a few weeks ago and the intersectional aspects
of the project. Focusing on the
particulars of policing in Chicago can promote more attention to the situated
knowledges of different communities, offering a more complex discussion of
power, as well as strategies for resistance.
When it comes to the production of knowledge, women of color
methodologies also highlight the limits of only attending to one area of
difference, which can obscure those subjects who are fall into the borderlands
between different systems of domination and acceptable modes of
representation. I see some overlap in Cotera’s project with
Abu Lughod’s ethnography of the particular, as both problematize
generalizability and the “relations of rule” that structure and constrain
knowledge. Cotera illustrates a practice
that involves, “critical analysis of the connections between experience,
subjectivity, and theory”(18). She
investigates storytelling and testimony to reveal the structures, contexts, and
histories that shape women of color’s lived experiences, while also situating
the work of Hurston, Deloria, and Gonzalez in the borderlands of accepted
academic and literary work. Women of
color methodologies and the use of storytelling and coalition has the potential
to disrupt some assumptions about authorship and authority, revealing
marginalized knowledges, and offering complex critiques of multiple structures
of domination.
Cotera’s comparative project highlights Hurston’s
storytelling and Gonzalez’s coalitional work.
Do these methods provide strategies for addressing some of the power
dynamics inherent in research or different ways of representing or articulating
the “voices” of marginalized subjects?
Cotera also looks at the role of fiction for revealing
knowledge about the social world and the particulars of domination. Can science fiction similarly be implemented
as a tool to imagine alternative political and organizing solutions and
possibilities for change?
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