Alison Kopit—Andrea Smith “Heteropatriarchy and the three
Pillars of White Supremacy”
Whereas women of color organizing
has often been based around uniting under shared experiences of oppression,
despite differences in the experiences of women of color, Andrea Smith (2006) proposes
a more complex way of conceptualizing various axes of white supremacy and the
way that we might employ this within a feminist framework in “Heteropatriarchy
and the Three Pillars of White Supremacy.” She constructs a framework that uses
three pillars of white supremacy: Slavery/Capitalism, Genocide/Capitalism, and Orientalism/War.
She acknowledges that although these are separate pillars that recognize the
differences in the way that white supremacy acts on women of different
backgrounds, she maintains that these pillars are co-constitutive and depend on
one another to keep the mechanism of white supremacy at work, and are all reinforced
by heteropatriarchy. In this blog post, I take up the issue of white supremacy in
Disability activism and culture and consider the way that heteropatriarchy may
be less present.
In using the three pillars as a
framework, it is impossible to construct any issue as an isolated that can be
solved by a homogenous group of people. Therefore, there is no such thing as
effectively fighting for a singular cause. I am motivated by the way that the
three pillars set up the foundation to “keep us accountable” to create more
robust conceptions of privilege and oppression and to, “check our aspirations
against the aspirations of other communities to ensure that our model of
liberation does not become the model of oppression for others” (69). Within
this, I consider the history of white-washing disability organizing and the way
that it may be currently or historically, “…appropriat[ing] the cultural work
and organizing strategies without corresponding assumptions that we should also
be in solidarity with Black communities” (70). I teach a piece to my undergrads
called “Disability Culture Rap” that uses images from the Disability Rights
Movement and draws many visual and rhetorical parallels to the Civil Rights
Movement. I love the footage from the early activist days and the recognizable
figures who are no longer with us, but I also am aware that although there were
black disabled activists as a part of the movement, the movement was mostly
based around a single-identity focus. Although the movement took up many
organizing tactics from the Civil Rights Movement, it did not effectively
credit or build coalition with black activists, and was complicit in white
supremacy.
Disability rights activist scholars
such as Corbett O’Toole (2016) have explored the racism inherent in those early
days of the Disability Rights Movement, and writes about how she and others
were complicit in the oppression of others. Reading this essay makes me ask the
following question: what—and who—would take for disability culture to start
openly discussing the way that white supremacy is hugely detrimental to our own
liberation?
I see disability/crip culture as
inherently non-heteropatriarchal and wonder if this might uniquely position us to
work within Smith’s framework. Similar to the queer community, the value and
necessity of INTER-dependence, the importance of chosen family, the necessary
pooling of resources to survive, and experience with defying sexual
expectations aligns us with queer and feminist values. Within organizing, I see
structures such as Bodies of Work (our network of disabled art makers) or Sins
Invalid (a queer-disabled-poc performance art collective) as invoking these
values through diffusing power (often by necessity, and to accommodate for
certain impairments), negotiating expectations, and collaborating in the
production of work. In my research, I have written about this as inherently feminist
and resistant to mainstream values of prestige and productivity.
I see the early disability rights
activism as intertwined with white feminism and second wave feminism, and the
same kind of “unity” rhetoric that Smith argues against. I similarly believe that
painting “inclusiveness” and “sameness” with a broad stroke across the movement
is counterproductive and false. That said, I associate much of this with a
generation of elders who have been invaluable to the movement. How do we work
with older generations of elders in the movement who come from this tradition
to start infusing more coalitional consciousness into our work? Is this
different than the way we might approach organizers of the younger generations?
Also, is crip culture inherently non-heteropatriarchal, or is this just a dream
in my queercrip heart?
Works Cited
O’Toole,
Corbett. Fading Scars: My Queer
Disability History. Fort Worth: Autonomous Press, 2015.
Smith, Andrea. “Heteropatriarchy and the Three Pillars of
White Supremacy: Rethinking Women of Color Organizing.” Color of Violence: The Incite! Anthology, edited by Incite!.
Boston: South End Press, 2006, 66-73.
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