The “Introduction”
of Talking Visions: Multicultural
Feminism in a Transnational Age by Ella Shohat explores the possibility of a
feminist reimagining of community affiliations and cultural practices
articulated in relation to each other. Challenging traditional disciplinary and
cultural boundaries, Shohat proposes moving beyond compartmentalized areas of
knowledge and instead placing diverse gendered/sexed histories and geographies
in relation and forging connections in terms of tensions and overlappings that
happen within and between cultures, ethnicities, nations. (1)
Instead of
offering and conceiving a unified feminist subject, multicultural feminism aims
at creating a “’world wide web’ where feminist communities derive their identity
and difference vis-à-vis multiple ‘others’“.
This notion of a polycentric multiculturalism that entails reconceptualization
and restructuring of intercommunal relations moving beyond binarism and false
dichotomies reminds me in a way of Deleuze and Guattari’s conception of the rhizome.
The rhizome is a philosophical concept that
apprehends multiplicities, that I personally used in literary texts and see it
resembled in Shohat multicultural feminist conception. The rhizome insists that instead of focusing
in a binary “arborescent” and genealogical conception, an a-centered
multiplicity that focuses in magnitudes and dimensions that can increase in number
without changing in nature is a much useful process of thought.
This
concept of the rhizome is useful because it entails the many ways that one can
approach a thought, it helps questions hierarchies and binaries and provides a
way to see how everything can be multiple and interrelated. This assemblage of connections
between certain multiplicities emphasizes not what is or what was but what can
become of something.
Multicultural
feminist critique, Shohat proposes, “asks for a transnational imaginary that
places in synergistic relations diverse narratives offering prospects of critical
community affiliations…practicing a political and cultural project which
mobilizes the polycentric relationality of a constantly moving world.” (52)
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