The
Black Body in Ecstasy explores racialized pornography and pornographic
representation, not as a project of violation but Nash approaches pornography
with a more nuanced lens. Nash borrows from many feminisms, specifically a feminist
anti-pornographic body of work and black feminist theory to further investigate
what she is presenting us with. Nash does this to outline the complexities of
pleasure in a context of race, gender and sexuality. She contextualizes her
work in relation to other feminist projects and approaches to unpacking
pornography, specifically it’s relation to interpretations and reading of
pleasure.
What
is most interesting to me in Nash’s work her close reading of the texts and the
role of spectatorship and the assumptions that pleasure does not exist for the
black women in the films that she analyzes. Nash attempts to convince the
reader through the presentation and re-interpreation of “Silver” and “Golden”
age films, that the black women represented in the films themselves derive
pleasure(s) or some sense of empowerment.
Nash’s
perspective and methodologies were useful for me to reimagine my current
understanding of many complex and nuanced research questions. While this
specific work does not directly relate to my work I wonder how her close
reading techniques can be applied elsewhere.
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