Monday, January 30, 2017

Megan Collier- Writing Against Culture

            Abu-Lughod’s “Writing Against Culture” examines the notion of the self and other in anthropological research.  She uses the figures of the feminist and “halfie” researcher to address problematic distinctions between insider/outsider and the power dynamics that can be obscured in social scientific knowledge.  These critiques connect to Visweswaran and Tuhiwai Smith’s interventions as they relate to questions of betrayal, relations of domination, and imperialism that structures Western knowledge.  The feminist and halfie help to reveal complications inherent in research: positionality as researchers are never “outside” of power in relation to communities of study, writing to multiple audiences, and power distinctions even among seemingly “native” researchers. She highlights these power dynamics to illustrate how the concept of “culture” is reified in research, and that it acts as a “dividing practice”(143) that naturalizes difference and produces the Other.  Abu-Lughod reveals how culture, typically used to argue against difference emerging from nature and biology, can in fact take on an essentialist form.   The usage of “culture” is steeped in power relations: “shadowed by coherence, timelessness, and discreteness, [culture] is the prime anthropological tool for making ‘other,’ and difference”(147).   She argues for the need to write against culture and describes ethnographies of the particular as one tool that can challenge the reification of cultural categories and difference. 
             I appreciate Abu-Lughod’s critique of generalizability and overemphasizing cultural coherence in research.  She describes how cultural theories tend to overemphasize coherence of the social group, leading to the notion that a community is bounded and discrete (146).  Her approach to “culture” and its relation to difference and other-ness are particularly important for destabilizing taken for granted categories in our own research.   Both of these aspects of research are often taken as starting points in the academy, built into the processes like the IRB where you have to clearly define your sample.  The first step in studying a social group is to coherently identify the group and its bounds.  Even within this simple act, as a researcher you are imposing boundaries upon a group.  Conducting my interview study, I struggled thinking about the boundaries of queer and trans communities, how this intersects with categories, and attempted not impose my own boundaries of who fit the research protocol.   I struggled with how to encompass folks who might identify as gender variant but might not easily relate to the umbrella of trans- genderqueer folks, butch women, assigned female at birth femme women, etc.  And in the process of writing about a really gender diverse group, I struggled with my desire to be coherent in categorizing the participants but also wanting to embrace the particulars of their experiences.  As I think about future research, I still struggle with messy questions about representation and the practical application of this.  What would it look like to focus on the particulars and differences of my research participants, and not have to talk about the generalizable patterns?

Question:

Abu-Lughod describes the professional risks of alternative research strategies and how they are not often seen as legitimate.  As a grad student, I’m told to have a big enough sample size and argue for how research on subordinated groups is generalizable to broader social issues.  How can we promote and conduct “ethnographies of the particular” within the constraints of the academy?  And can we use alternative methods in ways that are not just marginalized in the academy, actively engaging and challenging more hegemonic forms of knowledge in the discipline?

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